Author: Karsten Hein
Category: Gear & Review
Nikko Audio was a division of the Japanese electronics company Nikko Electric Industry Co, which was formed in 1933 in Kanagawa. The company's audio components earned a good reputation, however the brand only reached a limited distribution and during a general decline in the market in the 90's, the division was forced to close.
The history of the Nikko Audio company reads like a rollercoaster ride between a genuine interest in high quality products and inexplicable failure in managing to sell these to the world. The original ‚Nikko Electric Works‘ was re-founded shortly after WW2 as a designer, manufacturer and installer of communication technology and electrical equipment in Japan. In those early years, Nikko mostly manufactured fuses for the Japanese National Railroad - until the daughter of the boss married a young audiophile lad who allegedly had "golden ears" and persuaded his father-in-law to put on a range of HiFi products, a process that began in the late 1960s. The son-in-law understood about good sound, but he was only marginally interested in the marketing of his products, so that he initially developed devices that were very good, but also very expensive and therefore difficult to sell.
With the Audio Division hardly generating enough income for itself in the 1970s, Nikko was forced to revise its strategy and spin off into various foreign subsidiaries. The product range was streamlined and most of the early High End gear was removed in favour of less expensive and therefore more marketable equipment. Although the product quality was easily able to keep up with the competition, they did not perform in terms of sales, which was mainly due to their overly conservative appearance. In contrast to Sony or other big names with their brushed aluminium fronts, Nikko designers could not (or did not want to) follow this trend and therefore had a hard time holding their own in the market.
A later reorganisation of the product range saw the launch of compact equipment in the lower and medium price range. Nikko also entered the German market with these products, among others; they were introduced via various importers and then sold preferably via department store chains or mail order (i.e. the low-cost segment). Soon, a name and products that were still relatively unknown but that had been poised for greatness sold out to the market and the company finally closed business following the general market slump after the Asian flu at the end of the 90s.
The FAM 600 tuner shown here is of elegant design, not only from the outside, but also in terms of the simplicity found within. It came pre-equipped with outputs for quatrophonic users (the big idea at the time) and feels great in the choice of materials. The company’s High End origins still shine through on this device. Although there are better tuners e.g. in the higher Sansui price ranges, this unit offers a great way to experience analog radio at its best. As analog listeners will know, there is radio weather - and then there are those other times, when something is just not right in the universe. On good listening nights, the analog experience, if done right, has all the magic it takes for us to lose ourselves over and over again. connectors.
Moving clockwise from top center we can identify the back of the operating panel, the transformer and, below this, the circuit board of the customer made power supply. The 5-pin DIN is located in the bottom right corner, inconveniently just above the power cord. Antenna inputs are in the lower left corner and above these is the tuner's main board. The large tuning rotary capacitor is in the top left of the board. A copper sandwich floor protects the underside of the board from electrical interference with all the internal wiring remaining hidden from view.